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案例分享 | will&would 居空万镜


Mordern Stone


Office, exhibition hall, gallery... When the space is labeled with multiple attributes, the designer decides to reconstruct it with fuzzy, and then interweave the multiple spatial attributes through fuzzy to form a gathering field.



In the fuzzy gathering field, the designer endows the existing space with more possibilities and infinite aesthetic feeling, while the aesthetic and spatial concept behind it is clear and clear.

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The fuzziness of space often leads to possibility and inclusiveness. It can form the "synchronicity" of time and space, perceive a series of different spatial positions at the same time, expand the spatial order, imply the existence of more complex meanings, and inclusiveness has diversified perceptual details.


Will & would is an aesthetic gathering place integrating art, design, furniture, flower art and salon. The exhibition hall is located in Xiangmi lake, Shenzhen, occupying a corner of the building.


How do people and things establish a connection in space, and how can material meaning be obtained by people. In the process of space, through the fuzzy interface relationship, the narration of people and things develops slowly.


Space itself is the carrier of aesthetics. In the design of the exhibition hall, the spatial function and shape vision are in a staggered and fuzzy state, through the re integration of spatial shape, facilities and structure.


The first floor of the space is positioned as a home exhibition hall, and two wooden "boxes" are placed in the high-rise space. A sandwich platform is generated inside the box, which meets the demands of office and forms the uneven internal blocks of the space.


The real entrance is hidden inside - the wooden door made of carbonized wood and ancient copper wire drawing has a sense of ceremony. When the door is slowly pushed inward and smiled at the person greeted by the probe, the narrative of space begins to write.


The first floor underground is planned as art exhibition hall and salon gathering, which is more open in design. The art itself is used as the medium to form the dynamic line division of underground space.


All the design details are intertwined in the process of walking, and the tourists and Experiencers are the participants in the construction of space. During walking, the space can realize self evolution, and all the landscape effects and narratives will be projected and experienced during walking, so as to present an interesting and tension rich geometric space aesthetics.


It is designed to cut vertically on the facade and open a notch for the space with two glass boxes. The block surface of the internal space and carefully selected products are embedded with each other to form the window of the exhibition hall. At the same time, an interface is reserved for the light introduction of the underground space.


The functional requirements of the whole space are divided into two equally important parts. One part is for external activities, that is, holding salons, exhibitions and other activity spaces that need most people to gather, and the other part is as a relatively "inward" space for negotiation, office, meetings and so on.


The designer has built three "courtyards" into the space. The landscape formed by these "courtyards" penetrates different functional zones horizontally or vertically, making the spaces penetrate each other and guide the continuation of senses. At the same time, these courtyards also form a medium of light, bringing natural light to different spaces.


The innermost space is wrapped in simple wood color, and the lines extend in parallel in an orderly manner, and then pass upward to form a ladder. Here, salons and discussions can be accommodated, meditation and meditation can also be accommodated, and multiple possibilities can be accommodated due to the freedom of the container.